Life of Lord Krishna
Vasudeva
carrying the newborn Krishna to Nand's house in Gokul via the river Yamuna
This
summary is a mythological account, based on literary details from the Mahābhārata, the Harivamsa, the Bhagavata Purana, and the Vishnu Purana. The
scenes from the narrative are set in ancient India,
mostly in the present states of Uttar Pradesh, Bihar, Rajasthan, Haryana, Delhi,
and Gujarat. The
legends about Krishna's life are called Krishna charitas (IAST: Kṛṣṇacaritas).
Birth
In Krishna
Charitas, Krishna is born to Devaki and
her husband, King Vasudeva of
the Yadava clan in Mathura. Devaki's brother is a
tyrant named Kansa. At
Devaki's wedding, according to Puranic legends, Kansa is told by fortune
tellers that a child of Devaki would kill him. Kansa arranges to kill all of
Devaki's children. When Krishna is born, Vasudeva secretly carries the infant
Krishna away across the Yamuna and exchanges him. When Kansa tries to kill the
newborn, the exchanged baby appears as the Hindu goddess Durga, warning him that his death has arrived in his kingdom,
and then disappears, according to the legends in the Puranas. Krishna grows up
with Nanda Baba and
his wife Yasoda near
modern-day Mathura. Two
of Krishna's siblings also survive, namely Balarama and Subhadra,
according to these legends. The day of birth of Krishna is celebrated
as Krishna Janmashtami.
Childhood
and youth
Krishna
playing flute
The
legends of Krishna's childhood and youth describe him as a cow herder, a
mischievous boy whose pranks earns him the nickname a Makhan Chor (butter thief), and a protector who steals
the hearts of the people in both Gokul and
Vrindavana. The texts state, for
example, that Krishna lifts the Govardhana
hill to protect the inhabitants of Vrindavana from devastating rains
and floods.
Other
legends describe him as an enchanter and playful lover of the gopis (milkmaids) of Vrindavana,
especially Radha. These
metaphor-filled love stories are known as the Rasa
lila and were romanticised in the poetry of Jayadeva, author of the Gita Govinda. They are also central to the development of the
Krishna bhakti traditions
worshiping Radha Krishna.
Krishna's
childhood illustrates the Hindu concept of lila, playing for fun
and enjoyment and not for sport or gain. His interaction with the gopis at the
rasa dance or Rasa-lila is an example. Krishna plays
his flute and the gopis come immediately, from whatever they were doing, to the
banks of the Yamuna River, and
join him in singing and dancing. Even those who could not physically be there
join him through meditation. He is the spiritual essence and the love-eternal
in existence, the gopis metaphorically represent the prakṛti matter and the impermanent body.
This lila is a constant theme in
the legends of Krishna's childhood and youth. Even when he is battling with a
serpent to protect others, he is described in Hindu texts as if he were playing
a game. This quality of playfulness in Krishna is celebrated during
festivals as Rasa-lila and Janmashtami,
where Hindus in some regions such as Maharashtra playfully
mimic his legends, such as by making human gymnastic pyramids to break
open handis (clay
pots) hung high in the air to "steal"
butter or buttermilk, spilling it all over the group.
Adulthood
Krishna
with his consorts Rukmini and Satyabhama and his mount Garuda, Tamil Nadu,
India, late 12th–13th century
Krishna
legends then describe his return to Mathura. He overthrows and kills the tyrant
king, his uncle Kansa after quelling several assassination
attempts by Kansa. He reinstates Kansa's father, Ugrasena, as the king of the Yadavas and becomes a leading
prince at the court. In one version of the Krishna story, as narrated by
Shanta Rao, Krishna after Kamsa's death leads the Yadavas to the newly built
city of Dwaraka. Thereafter
Pandavas rise. Krishna befriends Arjuna and
the other Pandava princes
of the Kuru kingdom.
Krishna plays a key role in the Mahabharata.
The
Bhagavata Purana describes eight wives of
Krishna that appear in sequence as (Rukmini, Satyabhama, Jambavati, Kalindi, Mitravinda, Nagnajiti (also called
Satya), Bhadra, and Lakshmana (also called
Madra). According to Dennis Hudson, this is a metaphor where each of the
eight wives signifies a different aspect of him. According to George
Williams, Vaishnava texts mention all Gopis as wives of Krishna, but this is
spiritual symbolism of devotional relationship and Krishna's complete loving
devotion to each and everyone devoted to him. His wife is sometimes
called Rohini, Radha, Rukmini, Svaminiji or
others. In Krishna-related Hindu traditions, he is most commonly seen
with Radha. All of his wives
and his lover Radha are
considered in the Hindu tradition to be the avatars of
the goddess Lakshmi, the
consort of Vishnu. Gopis are considered as
Radha's many forms and manifestations.
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